Monkey Taunts Tigers and Spiderman Theme – Instant Mashup Generator

Dalai Lama Interview and Mcferrin Don’t Worry Be Happy – Instant Mashup Generator

In my favorite book, On Photography (1977), Susan Sontag changed how I think about photography, and reality, forever.

A photograph is a freeze-frame, a thin discrete slice isolated and preserved out of continuous, relentless time. For me, photographs of people carry an inescapable sadness about them. This is because the real person will continue aging and changing, and will eventually pass away. But the photograph remains frozen, the visible traces of that once-present moment still as clear as when the photo was taken. Photographs remind us about the past, but they also invite us to romanticize the past. I find that looking at a photo taken at any time in my life creates a longing to somehow return to the exact moment when the shutter was pressed.

I am increasingly reminded how brief, transitory, and beautiful our lives are on this earth. I feel a sense of urgency that I must focus on doing things which really matter. Today someone asked me what I want to do with my life. I am still not sure if I have a single goal in mind, but to me the most important thing is to form and nurture deep, loving relationships with my family, my partner, and eventually – if life takes me down that path – my children. I also want to have a positive impact on the world – to provide tools through the creative output that I produce to allow people to lead better lives. I am gifted with a creative spirit, and I feel one purpose of my life is to utilize this gift, through software development, design, music, video, and photography to create products, works of art or interaction that people will enjoy using and experiencing, and will allow them to better achieve their goals.

-Geoff Peters, January 19th 2011

Here’s a question and answer about home piano recording from a friend on Youtube, which I thought might be useful to others.

Question:

Hey Geoff

How are you doing? Hope all is well in your part of the world. Things here are good! I am writing to ask your advice on something – if you have the time, please could you help me out with this? Would really appreciate it.

Basically I am doing some recordings at home, – for my YouTube, but also for myself. I have made an album of original music which I put up on iTunes etc. It’s okay, but the sound quality is just not very professional, and this is because I have a Mac, and a digital piano (some rubbish Yamaha DGX thing) and basically I record via audio cable, using Garageband. Up until now it’s been fine. But I wanted to take my recordings to the next level!

I have been listening to your efforts quite a lot, because I love your playing. And all of your recordings are super super quality. So, I was wondering, might you have any advice for me as to what I might do to improve my set-up?

I have sort of guessed that I really ought to go the home recording route, i.e. get a couple of microphones, and do it that way, rather than via audio cable. Am I right?

Thing is, I am on something of a budget so that is a consideration. I want to do an album of covers next, and my friend suggested to me that I just go to a recording studio. But they are very expensive in London, and it seems it would make more sense for me to buy the stuff for home use, since I am going to make a lot of use of it.

Sorry for all the waffle, and no worries if you do not have time to reply. But if you had any ideas for me I’d be very grateful. What I wanted to know centrally was, I guess:

a) do I need microphones, and if so, are there any you’d recommend? Is one enough, or must it be two, etc.?

b) do I need a proper piano, or can I get a good quality sound with just a digital/electronic machine, like what I use now?

c) any other info you could share!

Thanks so much for reading this, and best wishes to you
W.

Home recording of an acoustic piano using two SM-57 mics.

Answer:

Hi W.,
no problem… here’s some free advice

I find acoustic pianos always sound better than electric pianos, especially if they are well tuned. There will be no benefit to using external microphones unless you get an acoustic piano… the current way you are doing it is the best that you can do for an electric piano.

For micing my acoustic piano, I open the top and place two mics close to the sound board, to the left and right of center. It’s important to be equal distance from the sound board or else you will get strange stereo phase problems. Pan the left mic all the way to the left and the right mic all the way to the right. I find that the SM-57 mic (made by Shure) is really worth the money you will spend – they are quite affordable considering that they are also used in professional studios. You can always buy a cheaper mic but you’ll likely get a poorer quality recording.

You can also just buy one mic and record in mono, but I find stereo adds another dimension to the sound and is better for making into CD’s.

Regarding mic position, the best way to find a good place to put the mic is to use headphones and try playing keys at various volumes throughout the range. Keep making little adjustments to the positions until you hit the “sweet spot”. Also make sure that the gain isn’t set too high when you play loud or else you will get annoying pops due to clipping.

Check out some tutorials on home recording, I’m sure you can pick up some more tips too.

For an audio interface, you will need some way to plug in the mics into your mac. There are various kinds (I have a MOTU 8-Pre which has fabulous sound and 8 inputs, but this might be overkill for what you need). I’ve also used smaller units made by M-Audio that have only two inputs but excellent sound.

I usually like to apply some sort of Dynamics Compression to the audio. This partly flattens out the dynamic range, and makes the sound clearer and more vibrant. In Logic Pro there are some compressor tools that I play around with, but I am still figuring out how to do this. A good book on mastering audio is called “Mastering Audio” by Bob Katz.

Ok there’s some ideas…. good luck!
Geoff

On July 7th 2010 I invited music lovers of Vancouver to my place for the second bi-annual “music listening night”. A good time was had by all.

Here’s the official report, with links to the songs that were played and how to listen to these songs if available. Hope you enjoy the music!

I had a neat idea as I was driving to a gig. I get really fed up with the recordings (stack of cd’s) in my car as I’ve listened to them so many times, and every time I listen to them, they are the same!

I thought, why not make a recording that sounds different every time you play it?

Sound crazy? Well, it’s really quite possible to do, and wouldn’t be very hard.

Usually when a band records a song, they might do multiple takes, say 4 or 5 takes. For certain sections of the song, such as an instrumental solo, it would be cool if it would sound different every time. The artist or recording engineer could “program” the song to play a different, random take for a certain section of the song, each time the recording is played, or combine together parts of any of the takes in a new or somewhat random way. A single solo section could be further broken down into segments, such as a certain number of bars, and each segment could be swapped in with a different take, as the music is played.

There are a bunch of extensions to this idea:
- if this is on a website, allow the user to save their particular performance that they heard, and share it with others (and rate them, etc)

- instead of a purely random choice of the takes, the user could give input into the choices such as “I’d like a really upbeat and lively version of this song”, or “I’d really like a version of this song with a longer sax solo and less Britney”.

-if the “intensity” of the performance was hooked up to a foot pedal (e.g. the recording would become more excited as the pedal is depressed lower, and more relaxed as the pedal is released) an actual live musician could play along with such a recording, while controlling the intensity of the background recording, and have the background music follow his/her performance.

Please – let me know what you think!! And please take this idea, expand on it, and develop something new, as I mostly have time to think these days and not implement something, even so cool as this!

Geoff

Update, Sept. 11, 2010: I’ve created a player which implements this concept, and made it open source. Check it out at MultipathAudio.com. Includes an example song.

One thing I really love about digital media, and media in general, is the power to repeat.

Jazz musicians learn the language of jazz by repeated listening and transcribing of recordings. Writers learn from closely re-reading books, poems, or articles. Video editors and filmmakers learn from closely analyzing and re-watching TV commercials, short films, or movie scenes.

With basic TV, you can’t repeat – you have to blindly accept all the images that are being force-fed into your mind. Digital TV has given control to “Pause” live TV, and to some degree repeat.

Youtube is awesome because there is no limit to how many times you can repeat a video – just click the play button again.

Streaming radio annoys me because I find I really only enjoy a song once I have heard it 5 times.

Live concerts sometimes frustrate me – I find I don’t have the brainpower to remember or perceive all the complexities of a live concert, but if I had a video recording or even an audio recording I could absorb everything the artist is trying to convey.

Of course I love live music for the spontaneity and feeling the presence of the performers.

Without the ability to repeat I feel helpless. With it, I can master my role as an audience member in perceiving art and media, and truly improve my own ability to create.

A couple weeks ago I made a video of myself performing the jazz standard An Afternoon in Paris by John Lewis.

I performed solo piano on my upright acoustic Petrof piano. It’s available below or on Youtube.

Hope you enjoy it!

other links:

• Listen to different versions of this song at Grooveshark. I especially like the renditions by Sonny Rollins and Cedar Walton.
• My jazz band in Vancouver, the Geoff Peters Trio, has a new CD which is available for free listening on our website.

My friend Marcus Emmanuel Barnes and I created a new musical ear training video as part of the series of lessons we’re making on EarPractice.com.

This week’s video is about the “Diatonic System” in music, which is where you can play a lot of different types of chords and melodies, all within one key. To keep things simple we stick to the key of C Major.

Hope you enjoy it and find the lesson useful.

Additional links:

• Knobb.ca – Marcus’s music blog
• Geoff Peters Trio (Geoff’s jazz band in Vancouver)

My friend Marcus dropped by today for a visit, and we recorded an improvised performance of synthesizer and piano. It’s called Heartbeet. We named it this maybe because we both really like to eat beets, (yum!) and so therefore “heart” them, as well as because we were wanting to play on the concept of the pulsating bass drum that sometimes goes out of time from the piano, much like a heart beat will continue its own rhythm oblivious to the other rhythms around it.

The video is also available on Blip.tv and the Mp3 file for the song is available here.

Visit Marcus’s Knobb.ca music blog for more interesting ideas and videos. Also produced in cooperation with Birds in the House Productions.

Kurt Elling, jazz vocalist (photo credit: Christian Lantry)

One of my all time favorite jazz vocalists is the inimitable Kurt Elling. He has been voted Male Vocalist of the Year for 10 years in a row by critics in Downbeat magazine and for 5 years by the Downbeat readers’ choice awards.

Kurt Elling has done some really incredible recordings, and I am definitely going to go out and try to complete my collection and get all 8 of his albums.

The current JazzPianoCafe song of the week is Kurt Elling’s recording of his very romantic original song, Where I Belong. It’s from his 1998 album This Time It’s Love. Here are the lyrics, courtesy of Kurt Elling’s website:

I hear the woman like a song / dancing down a long corridor
Reminding me I belong where I am

I see the singing in the rain/ the rhythm at my windowpane
Reminding me I belong where I am

There is a light in the silence of loving things
And when I look in my baby’s hopeful eyes
It’s like the sound just before ever morning horizon
Light comes to life

It’s like a magnet of loving sound / turning me rightside down
Keeping my two feet firmly planted on the ground
Reminding me I belong where I am.

You can listen to the song on iTunes for 99 cents, or listen for free on imeem (free account registration required). You can also purchase the CD or MP3′s online from Amazon.

This recording of Where I Belong features the following stellar musicians: Kurt Elling voice, Laurence Hobgood piano, Rob Amster bass, Michael Raynor percussion, Dave Oderdonk guitar, Paul Wertico drums, and Brad Wheeler soprano saxophone.

The track opens with burst of warm sound. A simple riff on the soprano sax is echoed by the piano, accompanied by drums, acoustic bass and guitar. The riff is repeated once and then Kurt Elling enters with his sparkling and luscious baritone. A hypnotizing bossa nova ensues, with an exciting and tasteful soprano sax solo well shaped to a gentle climax before the final vocal melody restatement. The outro is a vamp on the original intro riff, ending with a bit of Kurt Elling’s whistling on the fade out.

Highly recommended! Hope you enjoy this song and check back again next week for another JazzPianoCafe “Song of the Week”.

-Geoff Peters (Birds in the House Productions)