Here’s the official report, with links to the songs that were played and how to listen to these songs if available. Hope you enjoy the music!

I thought, why not make a recording that sounds different every time you play it?

Sound crazy? Well, it’s really quite possible to do, and wouldn’t be very hard.

Usually when a band records a song, they might do multiple takes, say 4 or 5 takes. For certain sections of the song, such as an instrumental solo, it would be cool if it would sound different every time. The artist or recording engineer could “program” the song to play a different, random take for a certain section of the song, each time the recording is played, or combine together parts of any of the takes in a new or somewhat random way. A single solo section could be further broken down into segments, such as a certain number of bars, and each segment could be swapped in with a different take, as the music is played.

There are a bunch of extensions to this idea:
- if this is on a website, allow the user to save their particular performance that they heard, and share it with others (and rate them, etc)

- instead of a purely random choice of the takes, the user could give input into the choices such as “I’d like a really upbeat and lively version of this song”, or “I’d really like a version of this song with a longer sax solo and less Britney”.

-if the “intensity” of the performance was hooked up to a foot pedal (e.g. the recording would become more excited as the pedal is depressed lower, and more relaxed as the pedal is released) an actual live musician could play along with such a recording, while controlling the intensity of the background recording, and have the background music follow his/her performance.

Please – let me know what you think!! And please take this idea, expand on it, and develop something new, as I mostly have time to think these days and not implement something, even so cool as this!

Geoff

Jazz musicians learn the language of jazz by repeated listening and transcribing of recordings. Writers learn from closely re-reading books, poems, or articles. Video editors and filmmakers learn from closely analyzing and re-watching TV commercials, short films, or movie scenes.

With basic TV, you can’t repeat – you have to blindly accept all the images that are being force-fed into your mind. Digital TV has given control to “Pause” live TV, and to some degree repeat.

Youtube is awesome because there is no limit to how many times you can repeat a video – just click the play button again.

Streaming radio annoys me because I find I really only enjoy a song once I have heard it 5 times.

Live concerts sometimes frustrate me – I find I don’t have the brainpower to remember or perceive all the complexities of a live concert, but if I had a video recording or even an audio recording I could absorb everything the artist is trying to convey.

Of course I love live music for the spontaneity and feeling the presence of the performers.

Without the ability to repeat I feel helpless. With it, I can master my role as an audience member in perceiving art and media, and truly improve my own ability to create.

I performed solo piano on my upright acoustic Petrof piano. It’s available below or on Youtube.

Hope you enjoy it!

other links:

• Listen to different versions of this song at Grooveshark. I especially like the renditions by Sonny Rollins and Cedar Walton.
• My jazz band in Vancouver, the Geoff Peters Trio, has a new CD which is available for free listening on our website.

This week’s video is about the “Diatonic System” in music, which is where you can play a lot of different types of chords and melodies, all within one key. To keep things simple we stick to the key of C Major.

Hope you enjoy it and find the lesson useful.

Additional links:

• Knobb.ca – Marcus’s music blog
• Geoff Peters Trio (Geoff’s jazz band in Vancouver)

The video is also available on Blip.tv and the Mp3 file for the song is available here.

Visit Marcus’s Knobb.ca music blog for more interesting ideas and videos. Also produced in cooperation with Birds in the House Productions.

Kurt Elling, jazz vocalist (photo credit: Christian Lantry)

One of my all time favorite jazz vocalists is the inimitable Kurt Elling. He has been voted Male Vocalist of the Year for 10 years in a row by critics in Downbeat magazine and for 5 years by the Downbeat readers’ choice awards.

Kurt Elling has done some really incredible recordings, and I am definitely going to go out and try to complete my collection and get all 8 of his albums.

The current JazzPianoCafe song of the week is Kurt Elling’s recording of his very romantic original song, Where I Belong. It’s from his 1998 album This Time It’s Love. Here are the lyrics, courtesy of Kurt Elling’s website:

I hear the woman like a song / dancing down a long corridor
Reminding me I belong where I am

I see the singing in the rain/ the rhythm at my windowpane
Reminding me I belong where I am

There is a light in the silence of loving things
And when I look in my baby’s hopeful eyes
It’s like the sound just before ever morning horizon
Light comes to life

It’s like a magnet of loving sound / turning me rightside down
Keeping my two feet firmly planted on the ground
Reminding me I belong where I am.

You can listen to the song on iTunes for 99 cents, or listen for free on imeem (free account registration required). You can also purchase the CD or MP3′s online from Amazon.

This recording of Where I Belong features the following stellar musicians: Kurt Elling voice, Laurence Hobgood piano, Rob Amster bass, Michael Raynor percussion, Dave Oderdonk guitar, Paul Wertico drums, and Brad Wheeler soprano saxophone.

The track opens with burst of warm sound. A simple riff on the soprano sax is echoed by the piano, accompanied by drums, acoustic bass and guitar. The riff is repeated once and then Kurt Elling enters with his sparkling and luscious baritone. A hypnotizing bossa nova ensues, with an exciting and tasteful soprano sax solo well shaped to a gentle climax before the final vocal melody restatement. The outro is a vamp on the original intro riff, ending with a bit of Kurt Elling’s whistling on the fade out.

Highly recommended! Hope you enjoy this song and check back again next week for another JazzPianoCafe “Song of the Week”.

-Geoff Peters (Birds in the House Productions)

Here is a track listing with links to the individual videos:

• Stella by Starlight (Victor Young)
• Blue Bossa (Kenny Dorham)
• Out of Nowhere (Johnny Green)
• Recordame by Joe Henderson
• Donna Lee (Charlie Parker)
• Blues in Bb
• Summertime (George Gershwin)
• It Could Happen To You (Jimmy Van Heusen)
• Footprints (Wayne Shorter)

If you’d like to download MP3′s of the concert (free) you can get them from here.

With Julian’s permission I used my minidisc unit to record the audio from our performance. There is quite a bit of background noise from the wedding guests’ conversation, but in the recordings you can hear both of us quite clearly.

I also set up my Sony Camcorder in the corner and video-taped our performance too. There was very low light, so you can barely make us out in the video, but it gives more context to the audio to be able to see us perform too.

At this wedding, we performed a selection of mainstream jazz standards in a duo style. Probably my biggest inspiration for the saxophone-piano duo format is the legendary combination of Stan Getz (saxophone) and Kenny Barron (piano). Another inspiration for rhythmic ideas has been the mighty pianist Chick Corea and his duets with the one and only voice artist Bobby Mcferrin (such as their killer performance of Autumn Leaves).

So without further ado, here’s our complete performance (except for the last song we played, Confirmation by Charlie Parker, where we got interrupted by some DJ music).

Hope you enjoy! I hope that these performances will give you some ideas or inspiration for your own journeys in jazz and music in general.

Further listening: I performed one of Julian’s original compositions with the college band at the Phil Dwyer Academy of Music and Culinary Arts (PDAMCA) last August.

To watch me perform the song, check out this Ear Training Video we made, where I explain how to play the Minor 7th interval (a key part of this song!). The performance of Wild Thing is at the end of the video.

The ear training video on intervals is part of EarPractice.com, a website that I created with my friend Marcus Emmanuel Barnes.

Pizza

I saw a post on the imeem home page about an electronic pop band called Owl City (which, incidentally, is really popular: their Myspace page has over 12 million views).

Adam Young from Owl City has put together a music playlist on imeem entitled “Music To Eat Pizza To”, and I think this is a fantastic idea!

Click here to visit imeem to listen to full playlist (with full length songs, free account required), or you can preview the songs using the player below.

Look out for my next original composition having to do with pizza, or maybe even sushi (coming soon, Geoff Peters: “Song to Eat Sushi To”).